Addictions

are gene-deep.  Addictions aren't caused by any drug, or a certain type of food or video game or style of being.  Addictions are a lifestyle that some people are born living.  This is why some people are addicted to weed, and some people can drink every day for ten years and quit with relative ease.
     Me?  I'm one of the first types.  Not that I ever got hooked on weed.  But I do get hooked on other things.  Sugar.  Video games.  Impulsive spending, obsessive online window-shopping.  More recently, nicotine.  It's a lifestyle, something I was born doing and will probably be doing the rest of my life.  For me, it's not the object of my addiction so much as it is the craving itself, and the satisfaction that comes when it's fulfilled.  An itch, in other words.  One that doesn't go away.  My question is, is it really so bad to scratch it?
     "Well, if you scratch a mosquito bite, it gets worse, and then it starts bleeding and you die."  True, but that's a mosquito bite.  An external source, I would think of it the same way I think of heroin, which is totally black-hole-level addicting even to non-addictive people.  You do heroin, and then it gets worse and then you die, no matter who you are.  So I suppose you have to decide for yourself what is an internal addiction, and what is an external one.
    The difference, in my opinion, comes down to brain chemistry.  All addictions, when satisfied, release some chemical in your brain, be it dopamine, or whatever.  External addictions like heroin release this chemical in massive amounts, then your brain says, "oh look, yummy chemicals" and lowers production of that chemical on a regular basis.  In short, external highs fade with time.  Internal highs do not, they continuously refresh.  Also, they're usually harder to define.  These are the kind of highs that are mostly natural and come from doing something you love, or something like a runner's high or an orgasm.  They're hard to define and difficult to do, especially considering they seem tedious at first.  (Except for orgasms.  But why we don't go around having more of those is a discussion for another time.)
     "So Chris, what the hell are you saying?"   I don't really know.  I'm trying to figure out why I suddenly have to force myself to write this while I wait for my energy to recharge in a flash game, and why I'm suddenly torn between Doctor Who and that same flash game.  It's because I'm an addictive personality type, okay.  It's an internal addiction, okay.  It's also slightly dangerous.  Flash games are not like orgasms.  Flash games are stupid time-wasters, orgasms are beautiful.  So maybe it's not an internal addiction.  That would also make sense.  Yeah, I'm going to go with that.
   Fuck.  Basically, I started trying to justify me own playing of flash games, said some profound things as to the nature of addictions, and wound up telling myself to get out from behind the screen and run a marathon and get laid.  See?  Overthinking things does sometimes lead to good stuff.  Now, excuse me, my energy is finished recharging, and my sister is starting Doctor Who.  I'll be seeing you guys later.

Flicker

There are many worlds to walk in, many existences to live by.  Don't be so quick to assume that there is only one reality.

The candle molds were actually supposed to be used for popsicles.  We had cut the tips in order to thread the wicks through.  The tray had six molds, one for each of us, little blue obelisks pointing up from the counter.

     To be honest, I wasn’t sure what I was doing there.  I was barely sure why I had come at all, all I knew was that it was some sort of cult ritual, and I would rather be anywhere than at home, starting my chem paper.  Dylan had called around six to ask if I would come, saying that it was something his girl and her friends had found.  Girls, chem paper, there was just no competition.  So there we were; me, Dylan, and Jack sitting in a basement belonging to El, or Eleanor, a sophomore who I had never seen before but wouldn’t have missed for the world.  She was tall, thin but not overly so, with black hair and a pale, elegant face with just enough gothic to be sexy.  Black clothes emphasized her figure, which was beautiful bordering on perfection.  There were two other girls; Rose, Dylan’s girlfriend, and Skye, both of whom were also wearing black.  Rose was a short, pixie-figured girl with brown hair and a fiery spirit.  I had known her for a while; Dylan and I had been friends since high school.  Skye was new, not unattractive, but relatively plain compared to the other two.  Slightly wider, blonde, nice form, classic sorority girl.  Jack and Dylan were also wearing black, I noticed.  I was wearing blue jeans and an orange sweatshirt.  Guess I had missed the memo.

     Skye was the one who had found the book.  It was a little thing we had read through maybe half an hour ago, describing a ritual whose importance was far outclassed by the importance of El’s fantastic curves.  I mean, don’t think I was just sitting there drooling, I was actually listening, but the little book was written in some Shakespearean English that was impossible to understand without concentrating fully on it.  It involved candles – I got that part – but past there it was so much distracting babble.

     By the time we got around to making the candles, we should have been either bored, or drunk.  We were neither.  There was a pale, oppressing silence over the room that seemed to urge you to speak and yet threaten anyone who dared try.  I was standing by the range, watching a cube of black wax melt in a small pot.  El was leaning against the counter, cutting lengths of white twine for wicks, but even watching her didn’t quite take off the edge the room had acquired.  Jack was next to me, watching the wax and stirring every so often with a wooden spatula.  It seemed like a bad idea; how does one clean wax off of wood, exactly?  But I didn’t say anything.  Dylan and Rose were sitting on a dirty couch, bent into opposing ninety-degree angles and not touching.  Rose was pacing the back of the room, in front of the staircase.

     Somewhere outside, there came the sound of screeching tires, and we all jumped.  The sound seemed to reverberate between my ears, bouncing back and forth until it died down.  Suddenly, I wanted to leave.  I could call a cab, if Dylan wouldn’t give me a ride back.  But I didn’t want to stay here; I had the strange and utter sensation that we weren’t alone in the room, that we were sharing it with spirits and demons and things I didn’t want to see.

     Then El was next to me, turning off the burner on the wax and wrapping one thin, warm arm around my waist.  “You excited?” she whispered.  “I am.  I can feel it in the air, this is going to be good.”

     Oh, I could feel it.  I wasn’t as sure about the ‘good’ part, but I could certainly feel it.  Still, I let myself be led over to the small, hexagonal wooden table in the corner, below the stairs.  I sat down on a stool, and El got up and walked to the stool opposite me.  Skye sat on my left, holding the lengths of string and a stack of small china bowls with a pattern of red and blue spirals painted on the outside.  I might as well stick around for a while, I thought.  See what happens.  I can bail later, if things get too weird. 

     If I only knew.

     She took a bowl and passed them to me, I passed them to Rose, who was on my right.   They went around the circle, ending with Jack.  Then Skye cleared her throat and began to speak, and the tension snapped like an old guitar string, replaced by a surreal innocence.

     “All right, guys.  So here we are, time to start, I guess?  Um.”

     El nodded at her reassuringly.

     “So, how this works is, in modern English, I think; we are going to separate ourselves from location, and reality.  The purpose is to deny space and time, evolve, I guess you could say.  To escape the bindings of the physical world.  The ritual was created by the cult of Scarbo six hundred years ago, and has been passed down ever since then. 

     “The six of us – the thing needs six people – will transcend our mortal forms, set our spirits alight.  That’s the purpose of the candles.  The hexagon of alternating sexes forms a microcosm of human society, the candles the lifespans of our mortal forms.  I have to stress that, for all of you here, we are bonded.  There is no turning back now.”

     The phrase sent shivers up my spine, but I didn’t put too much stock in it.  I could bail.  Anytime, I could quit, if I wanted to.  El got up and walked to the counter behind me, taking something out of a drawer.  I watched her, starstruck.

     She was beautiful.  Mesmerizing.  The soft, organic curves of her hips, back, and breasts seemed absolutely perfect, beauty in its purest form.  The thing she held was a knife, small and cold.  It wasn’t a sexual desire, as much as a powerful hunger, a need to be with her, to watch her, to take her form into my eyes, my mind, my body.  She was left-handed, I noticed.  Her head tilted slightly to the side as she looked at me, the faintest trace of a smile upon her lips.  There was no turning back; how could I leave her now?  How could I ever, ever have enough?

     Snap out of it, I thought, frightened and confused.  All of the sudden, she was just a girl, a pleasant person holding a not-so-pleasant item.  I stood up, knocking the table a little with my hip. 

     “No,” I said.  This was madness.  This couldn’t be happening.  It wasn’t the knife that scared me; it was just the whole attitude of the place, the feel.  It was tense, excited and yet scared in a bad way, it made me feel sick.  Vertigo struck me; I grabbed hold of the edge of the table. 

     “There’s no turning back,” Dylan said.  “For any of us.  You can’t leave, not now.  Nor do you want to.”
     “Well, you’re wrong about that,” I muttered, walking towards the door.  None of the others stood up.  I stepped onto the first stair, looking up at the basement door.  Blinding light streamed out from the edges of the door; I noticed for the first time that it was completely dark in the basement.

     Dark, but I could still see.

     Arms wrapped around me.  Such sweet arms.  “Don’t worry,” she whispered.  “Don’t be afraid.”  A pair of soft lips touched my neck.  “This is fate.”  I turned around, confused, disoriented, breathing heavily.  The light from behind the door had burned itself into my retinas; everywhere I looked was obscured by the glowing rectangle.  Hands turned me around, and then touched my face.  The kiss was ecstasy, lighting a fire that burned against her cool touch.  I didn’t even feel the knife as it slipped down and into my palm.

     We sat down in our place, me and El opposite each other.  I held my bleeding hand over the small china bowl in a daze.  I felt somewhere between waking and sleeping, in that grey area where thoughts take on a life of their own, the conscious and subconscious merge.  I could feel my heart beat, my eyes dilate.  The subtle flexing of my diaphragm sent air through my lungs.  I could feel it all, and yet didn’t acknowledge that I did; my mind was elsewhere.

     The world began to leach the color from my eyes; everything faded to black and grey.  The blood trembled in its’ cup, reality trembled in time.  Lines became curves, non-Euclidian shapes drawn on spheres and viewed at the wrong angle.  Entropy became a dark shape, the shadow of a shadow crowding in from all directions.

     This is location, I thought.  The thought swam through my head like some dark fish.  This is location; this is reality in all of its flaws, in all the unbelievable, uncontrollable chaos that we never see.  This is true reality.

     It was bizarre, disorienting.  It was a world I think that we, as humans, shut out, hide from.  It was a world from which the order and normality, all this time nothing more than a thin veneer of perception, had been stripped.  We passed around the wicks, white against the black of the table, the black of our blood.  Then the wicks, too, were black, stained with what might have been red, in daylight.  Daylight, what a joke.  There was no daylight here.  We poured the candles, threading the wicks through the molds and holding them as the wax was poured in.  We never got them confused; each one of us got the candle made with our own blood.  I don’t know how.  The wax took an eternity to cool; I watched the rise and fall of galaxies, reflected in a mote of dust.  The physical had become transparent, like stained-glass.  Microbes grew in my intestines, multiplying, consuming. 

     We lit the candles, the flame from the lighter, a blinding yellow; the flame from the candles, black.  The flames sucked light from the room, their progress only visible by the slow melting of the wax and the curling of the wick, which fizzed as the blood boiled away. 

     Dylan’s candle was the first to burn down.  I watched as he grew translucent, transparent, and then invisible, and something rushed by me, like a bird in the night.  I didn’t flinch.  His shadow still danced in the non-light of the other candles, multiplied fivefold.  Rose went next, then Jack.  My own candle had burned maybe half of the way down.  I felt the slow passage of time, movement along some unsuspected axis.  Skye faded away, her shadow a mere double now.  What would she look like, I wondered, when all the flames have died?  Eleanor disappeared.  I didn’t say goodbye.  Why would I?  I waited.

     And waited.  The shadows watched me, the last mortal remains of the other five, held back only by me.  I waited.

     The candle flickered, sputtering at the bottom of its inexorable downward journey.  Then a sound like a train whistle, or maybe a woman screaming.  The candle began to build itself back up in a reversing process, a black obelisk growing from a black flame.  The air turned white, and for a moment it was just that, the black candle, the black flame, the white world, I looked around and saw something a little like a sphere, a sphere that pulsed along some cracked, unknown reality, something that I could not perceive, but only imagine; the growing dark, the crack, spewing light, the pulsing, maddening beat, like a heartbeat that resonated across planets as a sound wave resonates across molecules.

     The flame flickered, flared, and vanished.

Time

has the most amazing way of slipping by.  Grains of sand on an infinite beach, constantly washing away moment by moment.  The moments themselves are so small, they don't exist, you know?  They're just moments, single, tiny things.  But they're all we have.
     Some people say that someday, time will start to rewind, snapping back like a rubber band, or a ball thrown into the air, until the universe recollapses in on itself and we'll have what Douglas Adams called a gnab gib.  Then time will start moving forward again, big bang, gravity, fusion, heat, life.
     Life will then ponder the existence of time.
     Over and over and over again.
     This is all from an outside perspective, of course.  From our perspective, time has already snapped back an infinite number of times, sure as it has once.  Yes, we are accepting this theory as true for the moment.  This doesn't seem like such a problem, except when you consider the question of free will, that eternal goal of humanity.  In my opinion, free will is bullshit.  It's a fancy way of saying we don't know what's going to happen next.  It's an excuse for being unable to change the past.  See, the timeline already exists, your life is laid out before you, determined by a near-infinite number of factors jumbled together in the most complex equation in the universe.  Indeed, it's the only equation in the universe.  Abstractly, that equation is the universe.  The outcome?  It determines what you'll have for breakfast tomorrow.
     To us, Benjamin Franklin has no free will.  He can't decide, all of the sudden, to become and actor's apprentice instead of a printer's apprentice.  It can't happen, because we already know what he did.  Likewise, we will have no freewill to those in the future, because they will know what we did.  We don't, though, and that makes all the difference; the discovery, the journey of life that only sounds corny because no one stops to think about what it means.
     This is true whether or not the time-rolls-back-and-forth theory is accurate.
     But enough about the future, let's move on to the past.  A fixed world, a dead world, a world that, for whatever reason, humans want to preserve at all costs.  The funny thing is, how do we know it exists?  How do we know it's anything but a story our subconscious came up with on the fly to explain your present situation?
     We don't.  But, whereas we refer to the future as free, we refer to the past as set.  Oh, sure, you can interpret history any way you like, but no one disputes solid fact.  At least, no one reasonable.  That's because once you start disputing it, suddenly there is no truth anymore, only perception.  There are very few people who can live on perception alone.  I know I'm not one of them.  Some people dispute, and then turn to an alternate 'truth' because they can't live without at least something.  How do you know that the world isn't 9000 years old, that it wasn't created in seven days by a being we then went and killed?  How do you know it wasn't sneezed from the nose of the Great Green Arkleseizure, or congealed from a drop of oil from the spear of an inbred demigod hero?  We don't.  And yet, we don't have 'free will' to believe the past.  We have facts.  We have a nice little reasonable worldview that we hide in because we don't want to know what might be out there.  It's the human condition, hiding in a cave, watching shadows because shadows have no power to hurt.  We separate past from future because its the only way that makes sense to live.  And the crazy part is, we're the only species that does it.  Sure, you can train dogs, you might say that that indicates that they have some sense of past, but it's not true.  It's just a matter of chemical bonds in their brain; they could care less if they were trained, or had been born knowing to roll over when the big thing spins its fingers.
     You ever see a pet on antidepressants?  A bird taking therapy, or a lizard reading philosophy?  No, of course not.  They're too busy surviving.  They're totally and fully occupied with the present.  We humans, though, we broadened our vision; we chose to look past the present and now, the present is mainly empty; we live most of our lives in either the past or the future, focusing on what we believe to have happened and what we believe might happen.  The result is that we can build machines, harness fire and electricity, play with life itself.  The cost?  Possibly the sanity of every single human being on the face of the planet.
     Cheer up, though; it's not so bad.  And if it gets you down, just remember that this is all we have.  It may seem pointless, but when the point itself doesn't exist, when there is nothing more out there, nothing more than the next moment, the next word, the next line, the next day, the next class, the next shift, the next job, the next child, the next generation, the next flare of life on this wonderful planet, well.  When that's all there is, what you do with it makes all the difference in the universe.




     This started out as a sort of lament, an epitaph for something I did in my past that I can't change.  I suppose the fact that you can't change the past is obvious, but to me it wasn't.  From there, this came out, the idea that the past and the future aren't so different.  This combined with two other theories of mine, that free will is bullshit and that maybe my memories are just a subconscious explanation for where I am right now, and you get this thing.  The funny part is, it made me feel much better about myself, knowing that there's a story beyond what I may or may not have done, and that there's no use dwelling on the past.  The intention was to do the same for you, though, knowing me, this will just end up sounding extremely depressing and drive the larger part of the Albuquerque area into a homicidal nihilist rage.
     New short story soon.  Candles, chicks, and cult rituals.

Tunnel Vision

I reallized with fresh horror that new doors of perception were opening up inside.  New?  Not so.  Old doors of perception.  The perception of a child who has not yet learned to protect itself be developing the tunnel vision that keeps out ninety percent of the universe.  Children see everything their eyes happen upon, hear everything in their ear's range.  But if life is the rise of consciousness, then it is also the reduction of input.
     -Stephen King,  The Mist

There are powers out there that we do not understand, powers so complex and inexplicably vast that we have no choice but to shut them out.  The shutting out isn't an instinct, though; we as human beings are far too smart for that.  No, we have to learn to shut these things out.
     I've read a theory explaining children's fascination with dinosaurs, saying that as a rule, children love that which is A) big and scary and B) unable to hurt them.  My personal opinion is that the author of said theory doesn't quite remember childhood.  Because dinosaurs can hurt you, because when the doorknob turns you know it's the velociraptor, and you don't dare to draw the curtain up, even on the second floor, out of fear of staring into the eyes of a brontosaurus or pterodactyl.  The reason these things don't send you screaming is because with childhood monsters come childhood magic, the talismanic blanket or teddy bear, the ancient seal of your mother's kiss or hug.
     As we grow up, the magic goes away.  It's a sad, sobering process, but perhaps a necessary one; by necessity, the world of childhood fantasy is ill-suited to prepare you for the real world.  So the magic goes away, and gets replaced by fact, by theories and rules and laws.  And sure, maybe you keep teddy on a high shelf and when the shadows start to get long, you feel safer tucked in, but for the most part those are nostalgic acts, throwbacks.  For the most part, the magic is gone.
     But here's the thing: the monsters aren't gone.  Oh, sure, maybe they've gotten a little more mature, a little older, maybe the bogeyman becomes the looming threat of global climate change, the dinosaurs become the slow decay of forces hanging around out there in space, forces that twist mass and gravity in strange cycles we can't see and are powerless against, but the monsters are still there, all the same.  So what do we do?  We shut them out.  Life is the reduction of input.  We cast our gaze to the heavens, and saw too much.  It's the curse of humanity, that we see more than we can live with.  Because who can survive, who has the will to do so, in the face of demons?  And yet.
     We never stop looking.  And when we see, when the stars align and for just one second the veil of human misconception is thrown back, we scream, we cry and back away, and we try to forget what we saw because how could we?  We didn't know what was out there.  We didn't know that, while we're so invulnerable to the monsters of our children, our monsters never lose their power.  And in the end, just as every child will grow up and learn that their parents aren't so invincible after all, every adult must learn, someday, that the monsters are never gone.  We just choose to ignore them.
     And some things don't like to be ignored.

Changing Seasons

Here it is, my first short story, titled Changing Seasons.  Beware; it's somewhat disturbing, and more than a little strange.  Read at your own risk.  Contains swearing and some sexual content.


Spring is coming, I thought, looking at the small green buds.  The old blind lady said that spring is coming and that things are coming back to life.  And she had said something else, too; she had said, one hundred billion.  And then she had smiled.

     I was in world history, staring out the window at the skeletal trees which were just beginning to bloom.  It was early March, two months before I would graduate and be done with high school forever.  The class, all seniors, was discussing our final project, a thesis on one trend of humanity throughout our time as a species.  It was a culminating project, drawing on years of study.

     "What about you, Julian?" Ms. Rodriguez asked, looking at me.  "You've been quiet."

     I looked up.  "Me?  I was thinking about doing fire, actually."

     A couple of the other students made contemplative noises.  "Fire?  That's interesting."  She smiled.  Ms. Rodriguez was young and pretty, but not in a glamorous way, and I didn't know a single straight high school guy who hadn't spent a few months sick with puppy love over her.  "Care to explain?"

     "Well, we're the only species to have ever used fire, aren't we?  And whether it's wood or coal or gasoline, burning hydrocarbons is our main source of energy.  It's what allows us to build tools and machines that are powered independently, instead of having to rely on human power."

     She nodded.  "So, in effect, you're arguing that fire is a core part of our evolution as a species?"

     "Mhm."  Dayna Jones, a beautiful, pale girl with black hair, was looking at me with a brilliant smile.  I decided to go a step further.  "In fact, I think it's what was responsible for our evolution, not just as a species, but as a society.  It is the difference between us and the rest of life on Earth.  I mean, there are gorillas with language and birds with tools and bats who have oral sex, but who else uses fire?"

     "Well, some plants do."  It was Dayna this time.  That girl was bright, one of the smartest in the grade.  And she wasn't some nerd who spent her spare time reading encyclopedias, she was just an ordinary girl.  The difference was that she thought about things, instead of just reacting, like so many other high schoolers.  "Like, most forests will use brush fires to clear out weeds and smaller trees, in order to give the large trees room to grow, because the large trees can drop seeds further away and are more secure."

     Will you go to prom with me?  I didn't ask.  She was still smiling, though there was challenge in her eyes.  

     "Well, I suppose.  But they don't really use fire, do they?  I mean, they have no control over it, no more than they can control when it rains, or when frosts start happening."  Still, I wondered.  It wasn't like early man just pulled fire out of his asshole, it had to come from somewhere.  And brush fires seemed pretty damn likely.  There was an interesting connection there, one that I would have to look at later.

     "Good point", she said.

     Eighteen days till prom, my mind spat out.

     Shut up, she's probably already been asked.  She's hot enough.

     You know she hasn't.

     It's senior year.

     All the more reason to.

     "And what about you, Logan?"  Ms. Rodriguez asked.  "Any ideas yet?"  Logan had sat next to me all year.  We got along okay.  He was an interesting guy, if not overly smart.

     "Well, I was thinking about, you know, how we bury our dead.  'Cause it's interesting, you get me?  The Chinese would put 'em in their wall, and during the black plague the Europeans had to throw them into huge pits and burn them.  But now, there are funeral homes for pets and shit - sorry, - but there are places where you can get a professional funeral for your dog or cat or bird or whatever.  I guess just because we can afford to.  You get what I'm saying?"

     Ms. Rodriguez nodded.  "Good, Logan.  And you're certainly right, no matter how and why we do it, burying the dead is a uniquely human instinct."

     Someone mused idly.  "I wonder, how many people have been buried?  Like, ever, in the history of humans."

     Ms. Rodriguez looked around.  "Can anyone answer that?"

     It was Dayna who spoke up, again.  "I read somewhere that an estimated 106 billion people have ever lived.  I don't know when that was calculated, but it was somewhat recently.  So...what, a hundred billion?"

     No.  No, definitely a coincidence.

    "That statistic was created in 2002, eleven years ago.  You’d assume that the statistic has gone up since then, but it’s actually stayed about the same, maybe gone up a little, as we learned more about our past.”

     Logan whistled.  “That’s a lotta stiffs.”

     The rest of the day was mainly characterized by my decision to ask Dayna to prom, and subsequently not doing it.  I went home dejected, (and to be totally honest, a tiny bit relieved) and listened to politicians talking about the oil embargo that had started in January.  2013, what a year.  Dad walked in and put in his two cents; “Thank God for electric cars.”  My sister, who was sitting on the stairs and reading the obituaries while waiting for her black nail polish to dry, was a bit more eloquent.

     “Don’t you see how pointless it all is, Bro?  They just talk and talk and talk.  You know who could have actually solved this?  Lincoln.  Or Ben Franklin.  They’re dead.”

     I sighed.  That was the new American girl for you.

     “Oh, look.  This lovely young man worked at a shelter for battered women.  I wonder how many of them he groped up during their little ‘therapy’ sessions?”

     “Alice, shut up!”

     “I’m guessing four, at least.  The people who write obituaries are so hypocritical, you’d think this guy shit diamonds out of a – “

     “Alice!  Jesus, can’t you stop being so morbid for two goddamn seconds?”

     She laughed.  It had a forced cynicism to it that was incredibly annoying.  “You gotta face the facts, Bro.  Everyone dies, alone, and ignoring it doesn’t do you any good.”  It was just too much.  I got up, turned off the TV, and stalked up the stairs to my room. 

     “And you used to be so sweet,” I grumbled as I passed her.  For the past four months she had been like this, sullen and cynical and self-obsessed.  It was getting to the point where I wasn’t sure it was even an improvement on the scared, gothic-religious person she had been the year before.  Then December 2012 happened, and I guess she just took it personally when the world decided not to end, and screw all her preparations.

     I opened my door and there she was, hunched over in a rainbow shawl, her eyes cloudy orbs that were not quite pointed at anything at all.

     “Not ending, Julian, no.  It’s just beginning; it’s the long, long winter that’s ending, after all this time.”   Her face was a mask of twitching, wrinkled skin.  The kind of face that seemed to be made to smile, that fell into place and let sunlight through when the smile came.

     But she wasn’t smiling now.

     “Hello?”  I whispered.  “What are you doing here?”  A little louder; “Hello?  I saw you this morning.  You said spring was coming.  And

(one hundred)

something else, I can’t remember…”  I blinked, and she was gone.  I blinked again.

     What?

     She was there, and then she wasn’t.  Had she ever been there at all?  Was it an extreme symptom of senioritis, or was I going crazy?

     “Talking to yourself, Bro?” the amused voice drifted up the stairs.

     Goddamn, I thought, saying nothing. 

   The old blind lady appeared to me one last time, proving that she had never appeared at all.  It was that night, in a dream I could only remember in disconnected flashes the next morning.  There was a rose, I remember that, a rose that kept sprouting, blossoming, and dying over and over again.  There was the old lady rocking in a chair that wasn’t there, or maybe invisible, hanging in a blue void.  She had a smile on her face, a comfortable grandma-grin.  She said, of course I’m not real, silly.  Check the papers!  Then after that, or maybe before, she wasn’t smiling at all.  She had a face made of stone and a voice like gravel, and she said spring is coming again.  Behind her, the earth roiled and waved, like a stormy sea.  Then there was a voice, screeching over the sound of distorted guitar, and that wasn’t part of the dream, it was my alarm clock and for a while I forgot all about the dream, focused on such early-morning difficulties as walking, seeing, and not falling asleep in the shower.  I grabbed a Clif bar, and went out to my car.  I listened to the radio until 6:44, and then cursed and went back into the house.

     “Alice!”  I called.  I could hear the shower running upstairs, so I walked up to the closed door.

     “I’m leaving in five minutes, with or without you.  Got it?”

     “Meh.”  It was about all the answer I could expect to get at this time in the morning, so I walked back down the stairs into the living room.   There was a newspaper sitting on the table.  I almost walked past it, but then I saw the front cover.  It was the one Alice had been reading yesterday, I hadn’t looked at it yet.  The cover story stopped me dead.

     Of course I’m not real, silly.  Check the papers!

     There she was, hunched over and malevolent, chalky eyes, a shawl around her shoulders that you could tell was rainbow even in the black and white photo.  BLIND TEACHER KILLED IN SHOOTING, POSSIBLY GANG WARFARE, read the headline.  I scanned the article.  She taught at a school for the blind.  Monday morning she had been found dead in an alley three miles from her home.

     And I had seen her Thursday morning.

     Dear God, I thought.  I’m going insane.  I kinda figured Alice would be the one to go, but I guess the joke’s on me, huh?  I laughed.  It was not a good sound.  Was I seeing things?  And what on earth was happening if I wasn’t?  If she was actually there?  Sir Doyle ran through my mind; when you have eliminated the impossible, whatever remains, however improbable,

     I had always stayed away from drugs, alcohol, all that.  And I had always been able to trust my own eyes.  I had a 33 on the ACT, dammit, and I would figure this out.

     But my time had run out.  Time had run out for all of us.

    

     Plants move so slowly as to be unnoticeable to living things, but to them we must look like beams of light, moving at speeds that turn solid objects into blurs.  I was in history when the seasons began to change, and though the winter was long, spring was over in minutes.  Unlike plants, though, we could not keep up with the change.  We were not evergreens, weathering any conditions, rather, we were flakes of snow; beautiful, but ephemeral in the cruel fires of life.

     Ms. Rodriguez was explaining proper MLA citation.  I was agonizing over Dayna, watching the blackboard idly when it began to move.  I think I was the first one who saw it, though it’s possible someone else had and not reacted.  The letters she had written started to shift, stretching in towards the center, which began to bulge.  A girl in the first row raised a trembling finger towards it.

     Then everything was moving.  The thin carpet which covered the floor was melting into a slick, trembling plastic, the ceiling tiles bulging inwards and outwards, like the bottoms of trampolines.  A face had emerged from the blackboard, which was now totally gone around the corners, and began to spin to unnatural degrees, like a hand on a lunatic clock.  Its eyes were solid white chalk.  I saw the glass in the windows melt and run it glittering, clear streams across the roiling floor and underneath the door, which was twisting itself into thin, knotty limbs that had too many joints.  The air seemed to freeze; my skin broke out in goosebumps and I could see my breath, or was that just my vision fogging over?  My chair collapsed; not in the way you might expect a chair to collapse, but the way you might expect an octopus masquerading as a chair to move if it suddenly grew bored of its disguise.  My shirt began to unravel, threads wriggling down my legs like tiny white worms.

     Perhaps all these things were making noise, but if so, I couldn’t hear it over the screams of my classmates.  I took a moment to listen, and beyond the screams of the other kids, I heard the screams of the school.  And beyond that, a ringing air-raid siren that was the screams of an entire world.

     Standing up was like trying to stand on the deck of a ship which was floating on rough seas of reality, instead of water.  The world reeled and rolled around me.  The thing coming out of the blackboard was now to its’ waist; it was a woman, matte black stone breasts wobbling obscenely, distorted white letters crossing them.

     “WHAT THE FUCK IS HAPPENING?”  screamed a girl right next to me, loud enough to make me bring a hand up to my ear.  I looked down to see a shape a bit like a paramecium drifting across the floor to the corner, where other shapes were gathered.  That’s my shirt, I realized.  The other cottony bacteria were building themselves into a pair of rainbow-pixellated legs, I watched as mine swarmed up one and began to weave itself into the things side. 

     I stumbled forwards, making for the window.  In front of me, Logan was engaged in a fistfight with a creature that was half-man, half-desk; perfectly flat, rectangular torso and a malformed head shaped from right angles.  “MOTHERFUCKER!”  He screamed.  The desk laughed, shook, and sprouted two heavy wooden arms and a massive penis, jutting out at a perfect ninety-degree angle.  Logan yelled again, swinging his arms, terror on his face.  “Holy shit holy shit you’re a Fucking Desk what the fuck is this”

     I took a few more steps across the floor that was now down to concrete; the carpet had assembled into a portly, smiling bald man in the center of the room.  Dayna was screaming, hunched over with her arms around her head, and at that moment the floor heaved and flung me into her.  She screamed again, tensing.

     “Oh God, oh god Julian what is going on?  I don’t know what’s happening, the the the windows ran right over my shoe and the legs of my desk fucking they they oh shit oh shit oh shit-“  She was naked, I noticed, except for a veil-like blue fluff around her hips, which was rapidly coming apart.  Of all the times, I thought, hysterically exasperated, it had to be now.  Not in the back of my car prom night, but now.  ‘Cause now it’s not even distracting, I could care less.

     Amazing how our priorities change when reality begins to fall apart.

     I grabbed her shoulder and she flung her arms around me, her words turning to tears which began to run with a vengeance.  I had a lump in my throat, but no tears.  I suppose my body wanted me to see what was happening, every little detail of it.  I watched as the walls began to retract in on themselves, the way paper curls and disintegrates when it burns.

     I just held her there, for a while.  From the time the blackboards started to move to the moment I stumbled into Dayna, I had taken four steps.  Perhaps seven seconds had passed.

     “What the fuck is happening?” she muttered through her tears.

(spring is here)

     “I don’t know, Day.  I don’t know.  I want to look out the window.”

     She opened her mouth, and I was afraid she was about to collapse, but then she shut it with a snap.  Her eyes took on a hard glint, and I was glad; something as simple as walking to a window had become a step into hell, and one I may not have been able to take alone.

     Combined, we made it two steps.  Then a figure like some mutant, albino spider-monkey dropped down from the ceiling, throwing off a cloud of chalky powder as it landed.  Both of us screamed, pulling each other close, but before my eyes shut I saw a face that should never have existed; white, pupil-less eyes beneath a bald scalp, and a too-wide, lunatic grin that literally stretched from ear to ear.

     We took a couple of hasty, shuddering breaths and looked at each other.  The white dusty thing had already loped away.  “Ceiling tiles,” she muttered.  “It was made from the ceiling tiles, oh, ha ha ha, how clever.”  Her eyes, suddenly, strikingly blue, still had that hard glint, but I could see insanity dancing behind them, not far from the surface.  I recognized it, because it was behind my eyes too, trampling through my skull.  We took a couple more steps forward and reached the empty window-frame, which was widening and the walls melted away in all directions.  What I saw was beyond comprehension.

     The ground was a boiling sea of humanoid shapes blended into some elemental, demented orgy.  Dirt, grass, and concrete flowed like water, rising into columns that then refined themselves into shapes, the shapes of people, people in an endless sea, people made of earth, stretching into the maddening distance to the horizon where all I could see was movement, the very skin of the planet roiling like water about to boil.  Buildings were working themselves apart piece by piece, each piece its own organism; some glass, some metal, some plastic.  Trees bent and shook, their limbs shrinking back into their trunks, which sprouted new, jointed limbs that moved.  Now I could hear it, the noise of a planet tearing itself apart, counterpointed perfectly by the hellish screams which rent the freezing air.

     I just stood there, unable to move.  My jeans disintegrated and all the elastic flowed out of my shorts, I didn’t even notice.  The walls receded, opening up new vistas of horror.  Eventually, after some unit of time that was immeasurable except in the sense that it was far too long, I turned to Dayna.

     “Dayna,” I said in a cracking voice. “Day, we…”

     She was looking out the window, eyes glazed, mouth open.  Her face was pale and sheened with sweat.  No, no you have to stay with me, I thought desperately.  “Dayna!” I cried.  “Please look at me, don’t leave me, don’t.”

     She looked over at me, away from the terrible window.  “This is the end, isn’t it?” she said, her voice wrought with pain and dreamy wonder.  “The end of the world.”

     A voice rose in my head, unwanted and unbidden: “not ending, Julian, no.  It’s just beginning,” and I pushed it away.  “Dayna”, I heard myself say.  “Day, I – “  I what?  What do you say as the world dies around you?  I love you?  I’m sorry?  I never got to ask you to prom?  What human statement, human emotion, could possibly hold the slightest candle to this level of chaos and destruction?

     She smiled at me, a smile full of pain and fear and love and kindness.  “It’s okay,” she whispered.  “It’s all right, everything is all right.”  And the very untruthfulness of that, the willful ignorance and hope against hope brought tears to my eyes for the first time that day.  I pulled her close and kissed her, losing myself in her smell, her taste, knowing fully in that eternal moment that I might never experience it again.  Her skin was soft under my hands, a shiver twitched down my body in a wave as her fingers curled against my back.

     It was a desperate, frightened kiss, the dying expression of a future full of love and sex and longing that would no longer happen, but there was a certain elegance to it, a pagan grace that echoed back to the dawn of humanity.  Such words may sound melodramatic, but I assure you that in the context of such a cataclysm, they were not.  We stood there for perhaps minutes, lost in the only thing that seemed to matter anymore.

     Then a pair of hands took my shoulders and wrenched me backwards, hands that were cold and smooth and completely unyielding.  I shouted and almost fell over, the hands kept me up.  Dayna reached out towards me, eyes still closed, and then a pair of hands grabbed her, too.  She shrieked, and I’m proud to say she fought where I could only stop and stare.  I watched her body twist, sinuous and smooth, and wondered how there could have been a time when there was something more interesting to me than her body.  Suddenly furious, I swung an elbow back into my captor.  It was like striking a brick wall, pain flared down my arm.  I was knocked off balance as the hands spun me around, I made a half-circle and the caught me cruelly, snapping my right collarbone.  Glassy, sickening pain rolled through my side.

     I was staring into a face made of wood, with dark green chlorophyll eyes that burned with ancient wisdom and fury.  He(it?) had small, wriggling roots where his teeth should have been, and when he breathed, the breath was cool, redolent of underground caves full of mushrooms, with tree roots hanging down from the ceiling like stalactites.

     “Why have you forsaken us?” he said in a voice so low it made my stomach hurt.  “Why did you not prepare for our coming?”

     “Please,” I said, words slurred with pain.  “I don’t know who you are, I never did anything to you, I’m only eighteen.”

     “Ha!”  He spat a lump of dirt out, it crumbled against my chest.  “I am Patrick Sleator, and I died in 1906.  Today I rise, to find myself forgotten?  I rise to find my body destroyed, my tombstone worn away?!?”

     “Why are you here?” I sobbed.  “Why are you doing this?”

     “BECAUSE WINTER IS OVER.”  The words came simultaneously from the dozens of humanoid shapes around us, our classroom broken down into its separate elements and reanimated in wood, in stone, in chalky ceiling-tiles.

     And then I understood.  I understood everything; for some reason, I had been warned.  One hundred billion, she had said.  One hundred billion people, blooming again in the light of spring.  And they told us the world would never end.  Ha!

     And I had been warned.  I had been warned, and the thing which finally broke me was not the apocalypse, or the gruesome and wholly accidental murder of Dayna some three minutes later, but that looming, insurmountable question: why had I been warned?  What might I have been able to do, if I had figured it out?

      Reason tells me I couldn’t have stopped it.  The changing seasons do not wait on mere mortals.  And perhaps even if I could have, maybe it was better I didn’t.  I never fully understood what happened that day, not up until the very end, but the mere scale of it dwarfed our very existence.  This was no gothic novel or adventure movie, there was no sacred shrine or cosmic door that could prevent this, nothing at all.  But the strength and decency of my spirit came at a cost, and there is no worse torture than the what-ifs and could-haves of a world that never was, the endless screams of a life lost to time echoing back across the walking wastelands.

Reality has no defined edges

Paranoia is the hallmark of a schizoid imagination.  Whether it's a child seeing monsters in the dark, or an adult seeing more mature monsters, such as the FBI or IRS, paranoia is paranoia.  Children grow out of it, and so we don't worry.
     Adults don't grow out of it.  Adults don't grow, period.  So we treat adults differently, we humor them and use drugs instead of waiting patiently while holding up a more mature worldview.  That's hell, in my opinion.  Imagine being trapped in a world you don't understand, where no one sees what you do, and they're spying on you and trying to drug you.  Oh, and you feel totally sane, and totally alone in what you believe to be an insane world.
     This is why it's so hard to treat schizophrenia.  Often it can only be done against the patients' will, and even then there's so little information on the disorder it's hard to treat accurately.  Schizophrenics are hardly lining up to be taped to monitors and drugged and watched 24/7.
     Cut.  I was just wondering exactly where I was going with this, and then I realized.
     There are crazies out there.  Many are not getting the help they need.  The debate of whether it's them or us who's truly crazy is irrelevant when the crazies are on the streets starving and I'm writing this on a top-of-the-line desktop with dual monitors.  That philosophy is nice, but as of now it's not practical.  What needs to happen as of now is people need to reallize that mental disorders are completely and totally real, and while you can joke about OCD and you can joke about Jews, neither of them are funny in real life.  (You know what I mean, I know some extremely funny Jewish people and I bet you do too.)  YOUR WORLDVIEW IS NOT EVERYONE'S WORLDVIEW.  And when your worldviews clash, neither of you is necessarily wrong.  Reality has no defined edges, no single interpretation.  And as difficult a concept as that is to wrap one's mind around, I think the world would be an infinitely better place if we could.  All living things do the best with what they have.  The colorblind learn to distinguish precise shades of grey.  The addicts, and remember addiction is something you're born with, and inherent trait that doesn't distinguish between alcohol or gambling or cocaine, the addicts learn to hold back, and only the unsuccessful ones die trying.  Making the best of your particular tools is a self-enforcing trait built into the curious incarnation of natural selection that still binds humanity.  And sometimes those tools are radically different than those of other people.  Sometimes they work better, sometimes they don't work at all, and then it's our job to help fix them.  But even when someone completely different comes along, they're not necessarily wrong.  Even with the wrong tools, the wrong mindset, for this life, it doesn't make them broken.
     It just means you're different.

P.S.  So the story I talked about in my first post (What about you) is going to be a long time in coming, I'm afraid.  It's on page 50(longhand) and not showing any signs of stopping soon.
So I wrote a thing about the end of the world.  The new apocalypse.  Something a little old, and a little new as well.  Should be up next week.

Explosions

This gets a little adult, and very very strange.

Explosion.  Expansion, orgasm.
Explosion.  Destruction, death.
     Why?  I don't know, that's what I'm trying to figure out.  But there's a powerful relationship, at least as a guy, between the two.  A sort of catharsis, a transformation from one state to another by means of violent transfer of energy.  Key word being violent.  It's a pretty dark part of the human psyche, and not one I'm positive I understand, let alone have any control over.
     The two lines that start this post, I wrote as part of a freewriting exercise I do most mornings, in which I take a word at random from a dictionary and write about half a page on it.  I got Explosion, and that's the first thing that came to mind.  An association to sexuality.  And if that makes me screwed up, well, it can just get in line behind the other fifty things that do.  But something tells me it doesn't, no more than any other male of roughly my age and sexual inclination.  One of the core themes of human sexuality is the concept of dominance; it has been and likely always will be.  The concept stems from, of course, natural selection, and it's special in that it's one of the few traits that's still rewarded in today's society.  The dominant male takes hold of industry, economy, everything, and the submissive female is carried by him to the top, where she can raise and care for her children in peace and security.  It's stupid, misogynistic, and completely unnecessary, but it's there.  And what better display of dominant power than an explosion?
     The strange part is that, in reality, it makes absolutely no sense.  And explosion is uncontrolled, unstoppable.  That is not good in any situation.  I've always envied explosives engineers, the people who shape charges for mining operations and the like, because they seem to have an understanding of power and control that few people share.  Meanwhile everyone else stands around and oohs and ahhs because explosions are like, totally awesome.  They're a pop culture phenomenon.  A movie star is not famous until he/she walks away from one, perhaps pushed slightly by the blast, or donning sunglasses.  There is no sign of power and destruction more obvious and complete than an exploding building, or mine, or mountain.  And that obsession comes from somewhere.  That lack of control that can send massive boulders or walls flying hundreds of feet.  Above all, the concept that someone caused it, that the figure currently walking coolly from the wreckage is responsible for that awesome energy.   It...excites us.  No, I'm not saying that exploding buildings arouse people, at least, not in a purely sexual way.  But sex is embedded in a lot more actions than people realize, and I feel that all these weird, dark relationships are not just coincidence.
     Sex is an act of creation.  I believe that firmly.  So why the strange obsession with destruction?
     Why the strange obsession with Phoenixes?
     They're born by dying.  Rising from the ashes, a metaphor that was a cliche before the Phoenix was ever invented.  In its most elemental form it's a fire, rising from an ember buried in the ashes of last night's fire.  The circle of life.  The turning wheel, where what once was will always come around again.  And it starts and ends in fire, consuming and creating all at the same time, something that started as an evolutionary instinct and became buried so deep in our subconscious that it has permeated every level of our being.  People say that it's language that separated us from animals, or abstract thought, or learning, but I think it's fire.  From the start, it was fire, that little microcosm of a life that was radically different from that of any other animal, a life that consumes far too much and yet puts out enormous energy that can be manipulated buy never fully controlled.  Sound familiar?
     This is just a theory.  A complex, meandering theory that contains zero percent hard cited facts.  But it feels right, and this is a philosophy blog.  I'd be happy to know what people think of this, and a comment, whatever your opinion, would be much obliged.

Flux

So yesterday our neighbors had a Batman marathon, and we watched all three of them.  Nolan's trilogy is not short, and we didn't end up finishing Dark Knight Rises until eleven at night.  There were five of us there, and when we finished, all of us presumably went straight to bed.  I know I did, and for me, that was a big mistake.
     See, there's a medicine I take every night after dinner.  It's used to treat a common disorder that is nonetheless rarely talked about, and if I don't take it for a long period of time, it puts me at risk of dying.  Not because my heart will give out or because I'll have a seizure, but because I'll kill myself.  Prozac is commonly used to treat clinical depression, in addition to other things.  So last night I missed my dose.  Hold on, I'll go take it now,
     Hi, back.  So this morning I woke up, laid in bed for an hour, and got up feeling like shit for no reason whatsoever.  This is not an uncommon thing, for me.  Medication keeps it at bay, creates a bedrock layer past which I can't really descend, but there's always something there.  This isn't self-pity.  Or...maybe it is, I don't quite know.  I'm not thinking straight, see.  I didn't get my fix and I'm not thinking straight.
     What scares me is wondering how many people struggle with this exact same thing, locked in a struggle with their own biology.  The interesting thing about fighting with yourself is that the casualties hurt both sides, not just the one that loses.  Yes, medication is giving up and yes, it makes me better.  No, it's not a chemical lobotomy and no, it's not natural.  And it hurts; missing a dose like this is like leaving Plato's shadow-cave, looking at a world that's cruel and cold and uncaring.
      And no, it's not the end of the world.  Fluoxetine has a half-life of almost two weeks; as in, it'll take a month for the last dose to fully fade from my system.  But the withdrawal sets in within hours, and boy is it strange.  Those who have never struggles with depression don't understand what it's like, to be trapped between two solaces, the only places left in the world, and looking at them and seeing two Hells.  Which are the shadows?  The vague assumptions and hopes thrown up by my drugged mind and psychiatrists with PhDs and leather couches, or the ghosts of monsters that haunt my sober mind with a vengeance?  Which one is real?
     For years, the traditional medication for depression was self-prescribed and available in most stores; alcohol.  I sometimes wonder if Prozac is just the next level.  Only in my 'sober' moments, though, like now.  When I'm normal, when I've had my fix, I feel fine.  I feel great.  I feel like doing things that aren't sitting in my room feeling sorry for myself on my blog.  Is that real?  Or is this?
     Flux.  Rambling, twisting mazes of thought that I don't understand and never will.  Do I have answers for these questions?  No, I don't.  If you do, dear reader, I hope you share them.  The person with those answers could be the richest person in the world in a very short time, because there are millions of people struggling with these issues, their own life hanging on a scale next to their twisted, bent brains.
     For now I'll stick with the recommended help; therapy and medication.  God, I hate those words.  And yet they saved my life.  But you mark my words; someday I will unravel this.  I may never understand, but at least I might be able to see it.  My mind.  MY mind is everything to me, the only thing I can truly say I own.  And if you can't understand your own possessions, why bother keeping them?

Vertigo

     "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.  We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far."
     -H.P. Lovecraft, The Call of Cthulhu
   
     Look up, what do you see?  You might see a roof over your head.  The one over mine is white, textured. Behind the paint and texture is sheetrock, wood, insulation.  Roofing, shingles.  Beyond that is the sky.  And beyond the sky is infinity.
     But nothing goes on forever, not really.  So past the sky isn't really infinity.  It's merely massive, larger than we can comprehend, and so we call it 'infinity' and shove it into a drawer and stop thinking about it, because the human mind isn't capable of maintaining perception on that scale.  Lovecraft understood this, that maybe the most terrifying thing in the world is the simple comprehension of the absolute powerlessness of the human race.  Now, it may not seem that bad.  Everyone has looked into the sky and realized we are nothing more than a speck of dust on a speck of dust floating in the largest room in existence.
     What's scary is when someone accidentally inhales that speck of dust.  When objects on our scale meet objects on a scale beyond reckoning, and we get to see firsthand, to truly experience the powerlessness of humanity.  It's like vertigo.  Hanging from a cliff and looking down and seeing all that distance stretching out below you, beckoning.  The sudden irrational but irrefutable feeling that nothing is stable, the ground, gravity, your arms, all of it could betray you at any moment.  And if there's enough empty space below you, you'll go mad from it.  Most people don't see the empty space, though.  They see the clouds, and the texture of the cliff below them.  Some of them don't even see past their own feet.  Oh, sure, they know there's a fall below them.  They just don't understand exactly what that means until they open their eyes wide enough to see it.  And then their palms get sweaty, their heart starts beating fast, and they wonder how it's suddenly so terrifying hanging there, when a moment ago they were doing chin-ups and humming showtunes.
     So don't look down.  There's a point at which it just becomes too much, a point where understanding brings nothing but pain and madness.  You can pretend, sure.  Read, watch movies, write, imagine, there's no harm in that, because all you're doing is speculating at what's below you.  Chatting with the person hanging next to you, estimating the exact length you would fall if you were to let go.  Watch Cthulhu on a screen, but if you see him in real life, I have one word for you:
     Run.

What about you?

     So I'm writing a short story about a serial killer.  Namely, a crazy serial killer.  But Chris, aren't all serial killers crazy?  Only as much so as you and me.  Let me explain:
     By 'crazy' I mean someone who is disillusioned.  Who believes something that isn't true, that doesn't mesh with reality.  In this way, we're all mostly crazy.  Everyone who's ever lied to you, no matter how small, has contributed to that.  This includes the coworker who called in sick yesterday, the author who wrote your favorite novel, the preacher who explained faith to you.
     Hell, it includes me.  Because here I am, telling you my views.  Are these views real?  Maybe, maybe not.  They're real to me, sure.  But everyone who's crazy thinks that way.  These are the things I believe.  If you don't believe them, then that means you're sitting there saying, 'oh, he's crazy, listen to this guy' and that's totally fine by me.  Read someone else's blog, if you don't like craziness.  To quote Stephen King (something I do far too much of), "the tale of the irrational is the sanest way I know of expressing the world in which I live."  Because we're all crazy.  The craziness is not important.  In the end, what really matters is what we believe, versus what others believe.  If everyone believed Obama was the antichrist, would he be in office?  But not everyone does.  Some people do, but they are a minority.  So we turn around and call them crazy, and go back to our own crazy beliefs.
     So someone believes that someone else should die.  They truly believe it, and when they're caught, they don't understand how nobody agrees with them.  This is the crazy serial killer.  As scary as he/she is, we see something in that.  We believe the sane killers because, well, they're sane, and we rejoice for the men that killed Bin Laden and Hitler and Stalin and hold feasts and celebrations and then in the dark of night we turn on our flashlights and read with breathless anticipation about the people who killed Kennedy, or Lincoln.  Because we see the craziness in ourselves.  When you meet someone who disagrees with your religious of political beliefs, there is a brief moment in which you could empathize with Charles Manson.  The only difference is your differing beliefs are about politics, and Manson's are about life and death.
   Insanity in fiction draws us.  It always has, and I think it's because it's the one way we can let our own 'crazy' beliefs loose, if just for a while.  Those little bits of our beliefs that chafe against society are hungry animals, and fiction feeds them, keeps them in check.  Characters like Andrew Scott's Moriarty, or Heath Ledger's Joker allow us to remain calm.  To roam the dark and shadowy realms of unchecked possibility, where the trees have ears and the hills whisper softly.  And when you come back to the real world, the one that's 'sane', well, maybe you don't have to take it so seriously.  You can let your grip loosen a little, because when you come to discover that the entire world is crazy, then you might as well just go ahead and call it sane, instead.


     The story should be out soon.  I'm finishing up the first draft and hopefully you'll have it within the month, likely in installments as it's rather long.